Is it sacrilege to declare that the best-looking film set in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of allégé as sharp https://t-l-chargements-num-rique74184.blog5.net/76022090/nouvelle-étape-par-étape-carte-pour-royalties